In the second half of the twelfth century in Western Europe began to appear the architecture of the new, unusual style, radically different from the Romanesque. This style, called Gothic, was rooted in cultural values developed cities, and most are firmly rooted in it is in architecture.
At this time, the townspeople, who won the long struggle with the feudal lords, were carriers of economic and social progress. Into the arena came a new burgher’s worldview, in which man was regarded as the Creator of wealth and a Creator, and one of its main features was the pride of the city and the desire to bring him glory. The main cultural value in this period was the Cathedral, almost get rid of its defensive functions.
Stylistic changes in architecture were not only caused by the change of functions of buildings, but also significant progress in the development of construction techniques based on the precise design and exact calculation. Gothic cathedrals were to have specific design and style features, the main of which was the refinement of the columns, the complication types of the Basilica, the construction of arches, lightweight construction, large arched stained-glass Windows, as well as the close relationship of the exterior and interior. Continue reading
Huge internal space of Gothic cathedrals, under the arches which at one time could accommodate the entire population of the city, reduced to a remarkable unity. The new design has allowed to increase considerably the height and width of the interior.
Thanks to the high cut arches of the Central nave, over which is a massive gallery Emporia is located an easy catwalk of triforia disappeared impenetrable stone wall between the main and side aisles.
Disappeared cuboid Romanesque capitals and the architectural details, which could prevent uniform take-off of all architectural forms of the interior in height.
Gothic capitals is only a narrow belt, slightly protruding above the surface are finalizing their support. In a new type of architectural ornamentation varied floral motifs, as antiserotonin and gleaned from local French flora. Framing and reliefs decorating the cornices and capitals, they Express the idea of an organic, living growth inherent in the Gothic Church and its interior. Continue reading
Gothic architecture can be determined by design technology – the Lancet arch defines the characteristics and artistic merits of the building: the use of Lancet arches, is more stable than a semicircular arch that transmits the thrust at certain points, reinforced with buttresses and flying buttresses. So exempt the piers used for additional lighting. they cut out Windows and put glass. A feeling of rush up, the internal volume rushes in height. The architects have tirelessly and successfully worked in these two areas that. as the discharge surface vertically, leading to new achievements. Occasional setbacks did not stop searching, do not put into question the principles of Gothic architecture. The style was, thus, derived from technology, and this determines the taste, creating new criteria of beauty.
Gothic art was not used in Italy than in France. The Church here is less high. They are darker because they do not transmit the thrust of the PA poles for the liberation of surfaces of walls. Rarely used the buttresses shown in the picture Villas de Ara Opkara (bottom). And in the 15th century Italians blamed pipeli utielana General view. They saw them as barbaric. Thus the Renaissance masters refused, and the exploits of the medieval masons: they returned to the semicircular arch, to static structures where the masonry carries the load only vertically, regardless of the severity, pristoptera mass. The revival did not seek showiness, excessive) increase in the volume, the relief of partition. the light – and it paid for it by the disappearance of stained glass. In this sense, the Renaissance was a real setback. Continue reading